Warning: Political Content
This is a photo I took in Toronto
last year. I loved how, in the cities that I visited in Canada, everyone seemed
to get along with each other, and was encouraged to do so. On fliers, posted
anonymously on public fixtures, on official government posters, in videos on
inclusiveness that were playing in the Montreal metro, I saw decency promoted
as normal, and practiced widely. People who looked different from each other engaged
in relaxed conversation.
Yesterday morning I went to a rally
protesting the Trump administration’s immigration policies. The rally was held
at the courthouse. It was very hot and sunny, but there was a good turnout, and
there were some effective speakers.
I was just looking, unsuccessfully,
for a quote by the painter Philip Guston that I remember reading, about art and
politics. I think that the quote was from around the time Guston was making his
shift from abstract expressionism to the great cartoon paintings he did in the
1970’s. The Vietnam War was on, and Guston was wondering about the value of
‘adjusting a red to a blue’ in a painting, or something like that, when such
terrible things were happening in the world.
I have had thoughts like that
myself. Should I be talking about my trip to Amsterdam when my government is
locking immigrant children in cages, for the “crime” of fleeing violence in their
home country? Violence caused at least in part by repressive US policy?
It is my right and my duty as an
American to keep letting my government know what I think about what they are
doing on my behalf. Doing so is a positive contribution to this country, and
the world.
Here are some brief Philip Guston
quotes on the value of art making that I did manage to find. See more
at http://www.azquotes.com/author/6031-Philip_Guston
Painting and sculpture are very
archaic forms. It's the only thing left in our industrial society where an
individual alone can make something with not just his own hands, but brains,
imagination, heart maybe.
Frustration is one of the great
things in art. Satisfaction is nothing.
Studio Ghosts: When you're in the studio painting, there are
a lot of people in there with you - your teachers, friends, painters from
history, critics... and one by one if you're really painting, they walk out.
And if you're really painting YOU walk out.
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